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How Connections works

A stage performance depicting several people, each framed individually by rectangular door-like structures. The people are dressed casually, with some wearing white shirts and red ties. The scene is theatrical, set against a dark backdrop with minimal props.

Connections is open to any company of young people aged 13-19, and up to 26 for groups with additional needs.

Whether you’re a school, youth theatre, or voluntary organisation – whether you’re experienced in staging plays or trying it for the first time – your group can apply to be part of Connections.

Each year, Connections commissions a selection of brand-new plays for young people to perform, pairing some of the UK’s most exciting writers with the theatre-makers of tomorrow. We work with over 250 youth companies and more than 6,000 young people annually from every corner of the UK.

The Connections 2026 timeline kicks off in October 2025 with the Directors’ Weekend, a skills-development event for group leaders. Each participating company will then stage a Home Performance between February and April 2026 at their own venue, where a National Theatre Mentor Director will visit to provide feedback.

Every group will then transfer their production to a Partner Theatre Festival between March – May 2026, where they will perform on a professional stage. Finally, a select number of groups (one for each play) are invited to perform at the Connections Summer Festival (June 2026): a final celebration, which spotlights each play and champions the incredible work created throughout the year.

We are dedicated to ensuring that Connections works for you as directors and recognise the immense skill and dedication required to bring productions to life in school and youth theatre settings. The programme is designed to be flexible and adaptable to your needs, so if you have any questions or are unsure if Connections is the right fit for your company, you can reach out to us at connections@nationaltheatre.org.uk.

Photos by Jimmy Lee

Connections Festival 2024

Process

A person wearing a headset is focused on a computer screen with colorful graphs and data. Another person is partially visible in the foreground, also wearing a headset. A bouquet of flowers is in the background.
Sir Robert Pattinson Academy perform Replica at the National Theatre Connections Festival 2024. Photo by Jimmy Lee
APPLY
Applications for Connections 2026 are now open, and will close on Monday 7 July 2025 at 12pm.
Click here to apply. (Link opens in new tab). 
 
CONFIRMATION
Once your application is approved, we will confirm your place over the summer (usually in July). If successful, you will then receive the play scripts to begin reading and selecting your play. Shortly after, we will send you an invoice for your participation in Connections.
 
PLAY SELECTION 
We will ask you to select two plays you’d be happy to work with. We will then confirm your play allocation. We request two choices to ensure an even distribution of plays across each Partner Theatre Festival.

Fees and bursaries

A group of four individuals stand in a row on stage. The person in focus is wearing a bright red jacket and is illuminated by a spotlight. The others are dressed in darker clothing and are less well-lit. The background is dark and out of focus.
The Periodicals performed by Plympton Academy at the National Theatre Connections Festival 2024. Photo by Jimmy Lee

Fees and bursaries

 

The fee to participate in Connections 2026 is £500. We are committed to ensuring that young companies from all backgrounds can take part, including those for whom the fee may be a barrier. Bursaries are available to support companies with rehearsal, production, and transfer costs. Read on for more details.

What the fee covers:

  • Access to fantastic new plays, commissioned by the National Theatre and written by leading UK writers.
  • A weekend of skills workshops, including time with the writer of your chosen play, facilitated by a leading director.
  • The opportunity to perform your play up to five times at your home venue.
  • The chance to transfer your production to one of our prestigious Partner Theatres.
  • Feedback from a Connections Mentor Director and development notes to help refine your production for its theatre transfer.
  • Ongoing support from the Connections team throughout the year.

This year, we are offering partial bursaries, and in exceptional cases, full reductions of the participation fee.

We prioritise bursaries for groups that demonstrate financial need or other forms of disadvantage, including but not limited to:

  • High levels of deprivation
  • Engaging young people not in education, employment, or training
  • Limited access to artistic and creative opportunities
  • Working with young people with experience of the criminal justice system
  • Working with young people with special needs, physical disabilities, or English as a second language
  • In school settings, the number of young people eligible for free school meals

When you apply, we’ll ask for more information about your group and why you need support. Bursary allocation is at the discretion of the National Theatre, and we will notify you if your application is successful. Each application is considered on its individual merit.

The National Theatre reserves the right to withdraw funding or additional support if a company fails to meet its obligations for participation in Connections.

Casting

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Stockton Riverside College performing Shout at the National Theatre Connections Festival 2024. Photo by Jimmy Lee

At National Theatre Connections, we carefully select each play for our portfolio. The playwrights whose works are included create stories that reflect the diversity of human experience. Our goal is for these plays to be accessible to everyone and to tell a wide range of stories from across the UK.

We are proud to offer plays that challenge young people to step into the lives of others, taking them to different times, places, and emotional landscapes. We encourage our playwrights to keep casting options as open as possible.

For all plays, all roles can be played by D/deaf and disabled performers and, unless stated otherwise by the playwright, can be performed by actors of any gender or ethnicity. If your group doesn’t align exactly with the apparent casting requirements of a play in terms of race, ethnicity, or gender, but you still wish to produce it, we wholeheartedly encourage you to do so. If you have any questions or need guidance on casting, the Connections team is happy to advise.

When locations are specified in the plays, we recommend focusing on capturing the emotional essence of these settings rather than worrying about accents.

For information on acquiring rights to the plays see the FAQs.

FAQs

A person stands on a platform with hands cupped around their mouth, while another sits below them with a stern expression. They are illuminated by a spotlight on a dark stage. Several other individuals stand in the background, partially obscured by shadows.
That Makes Sense Theatre company perform Wind / Rush Generation(s) by Mojisola Adebayo at the National Theatre Connections Festival 2024. Photo by Jimmy Lee

Is Connections a competition?
No, Connections is not a competition or a measure of ability. It is a national celebration of youth theatre, showcasing the diversity of groups taking part.

Each year, one production of each play is selected to perform at the Connections Summer Festival, chosen by the Connections team, mentor directors, partner theatres and writers. We look for clarity, storytelling, conviction, and energy in performances. We like to see productions that have observed and realised the writer’s intentions for the play, as the Summer Festival is also a showcase for the plays themselves.

Terms and conditions Connections 2026

Our funders

The Mohn Westlake Foundation supports nationwide Learning programmes for young people.

BNP Paribas is proud to be Headline Partner of Connections 2025 through their BNP Paribas AccessArt25 programme.

Connections is also supported by The Mohn Westlake Foundation, Buffini Chao Foundation, The EBM Charitable Trust, Andrew Lloyd Webber Foundation, Katie Bradford Arts Trust, Susan Miller & Byron Grote, Mulberry Trust, Tuixen Foundation, The Peter Cundill Foundation, The D’Oyly Carte Charitable Trust, The Woodward Charitable Trust and The John Thaw Foundation.

Nationwide learning is also supported by Buffini Chao Foundation, Clore Duffield Foundation, Tim & Sarah Bunting, MFPA Trust Fund for the Training of Disabled Children in the Arts, Behrens Foundation, Cleopatra Trust, and The Andor Charitable Trust.

Find out more about supporting our work