Training

Ian Scott trained at Mountview.

Theatre

For the National Theatre: Boys from the Blackstuff (also Liverpool’s Royal Court and Garrick), Oh! What
a Lovely War and Frogs

In London’s West End: The 39 Steps at the Criterion

Other theatre includes: Scouse Pacific, Maggie May, The Miracle of Great Homer Street, The Royal, The Scouse Nativity, Lonesome West, Down
the Dock Road, and co-productions with Lodestar and the Liverpool Shakespeare Festival, Macbeth and A Midsummer Night’s Dream, at Liverpool’s Royal Court; Much Ado About Nothing for Sheffield Crucible and Ramps On The Moon; ¡Carpa!, The Hooley and Xanadu at Giffords Circus; By the Waters of Liverpool for Pulse Records; Up ’n’ Under and Frozen for fingersmiths; Reasons to Be Cheerful, Peeling and Blasted for Graeae; Duet for One at Birmingham Rep; A Skull in Connemara and All My Sons at Nottingham Playhouse; Marco Polo and Messiah at Bergen National Opera; Fish Eye at Theatre Alibi; The Solid Life of Sugar Water for Graeae, Theatre Royal Plymouth and National Theatre; Owen Wingrave and Where the Wild Things Are at Aldeburgh Festival; Fawlty Towers Live at Roslyn Packer Theatre, Sydney; Flat Stanley at Polka and West Yorkshire Playhouse; The Drummer Boy of Waterloo and The Happy Prince for Jubilee Opera; Our Friends Up North for Northern Stage; The Joke, The Summer House and The Victorian in the Wall for Fuel; Animal Farm at West Yorkshire Playhouse; and Observe the Sons of Ulster Marching Towards the Somme at the Abbey, Dublin

(Published May 2024.)